Confessions of a Life-Long Bibliophile

The True Loves of My Life

As an only child, books were important. Fortunately, my mother read to me as a young child such that I could read by the time I went to school. I was reading chapter books by 3rd grade, maybe sooner. My early favorites were animal stories by authors like Paul Gallico, who wrote “The Abandoned,” my favorite book for many years, perhaps for all time. Robert Lawson, author of “The Tough Winter” was another favorite.

I remember going to the Peekskill New York Public Library in my home town and coming home with a huge stack of books, especially in the summer.

While still in elementary school I discovered Nancy Drew Mysteries. I would save my allowance to buy the latest release and had them all, which were usually read more than once. As a teen my favorite was “The Catcher in the Rye” by J.D. Salinger. I remember reading on a city bus and coming to a part that made me laugh out loud, earning odd looks from my fellow passengers.

As a working adult, I had to give up certain authors because they kept me up all night: Michael Crichton, Tom Clancy, John Grisham, to name a few.

Home at Last!

Somewhere along the line I discovered science fiction. The classics by Jules Verne such as “Journey to the Center of the Earth” and H.G. Wells’ “The Time Machine” were my first discovery, followed by Isaac Asimov and Robert A. Heinlein, the latter my all-time favorite, especially “The Door Into Summer” and “A Stranger in a Strange Land,” where the word “grok” originated, for those of you who didn’t know.

I scratched out my first science fiction story in 6th grade on yellow lined paper about the planet our teacher hailed from.  Not much of a plot, but my classmates found it entertaining. Not surprisingly, an avid reader like myself aspired to be an author when I grew up, more specifically a science fiction author.

One thing that always frustrated me was that science fiction books had very little actual science in them, probably why I favored Heinlein, who was an aeronautical engineer whose fiction started the “hard science fiction” sub-genre.

As a perfectionist, I wanted to learn more about science so that when I wrote my stories they would contain the scientific explanations I craved as a youth. Thus, at 35 I returned to school to earn a bachelor’s degree in physics from Utah State University, followed by a 21 year career at NASA’s Johnson Space Center in Houston, Texas.

We’re told to “Write what you know,” right?

My first science fiction novel, “The Capture of Phaethon,” about an asteroid collision with Earth was written while I was in college. It won me a scholarship as well as First Place Honor in a state competition. Maybe someday I’ll get it published. For now, the manuscript is in a box in the basement. Writing Phaethon was when I discovered the mysterious serendipity associated with creating fiction.

That’s all it is, right? Fiction? Something made up in your head?

My fictitious asteroid was named Phaethon, after the son of Apollo who crashed his father’s chariot into the Sun. Imagine my shock when doing research in the USU library’s NASA section that I found an asteroid by that name had recently been discovered! OMG! Later I discovered its usefulness in astrology, where it often indicates a “crash and burn” situation, figuratively or literally.

Heaven on Earth

The first time I set foot inside a library it felt like I was in Heaven. How it feels within the walls of a building lined with thousands upon thousands of books is as unique as it is indescribable. Every cell senses the knowledge and secrets that await, stirring my soul.

That could be why I often spend as much time researching a book as I do writing it, sometimes more. As much as I love my Kindle, for research it has to be a print book. I dog-ear pages, highlight, and leave sticky-notes galore.  When I encounter a used book like that, it tells me someone was really into its content, which is what any author hopes for.

When I wrote the Star Trails Tetralogy I incorporated science and technology problems into the plot. These were books I wanted to read as a youth but couldn’t find. I even created a Compendium with additional information for readers, teachers, and home-schoolers.

Star Trails books were popular in a charter school in Utah among young nerds like I was. I had the privilege of talking to those students a few years ago, which was so much fun. I know of at least one middle school science teacher in Florida who has my books in her classroom for extra credit reading. 

My favorite review for these books is the one where my writing was compared to Robert A. Heinlein. Imagine that! I have no idea how many children may have been inspired by them, but it’s good to know of at least a few.

Shifting Genres

The Curse of Dead Horse Canyon” saga started as a cozy mystery, but my propensity for research quickly led to a far deeper and darker story. My characters got out of hand, as usual, and suddenly I had a main character who was Cheyenne, a culture about which I knew nothing. My encounters with Native Americans was limited, and primarily with the Navajo. Research and serendipity delivered coauthor, Pete Risingsun, who kept the cultural elements on target, to say nothing of the story itself and additional research we did together.

The Reader’s Favorite review for the second book, “Return to Dead Horse Canyon: Grandfather Spirits” noted, to our delight, that “The depth of ethnology packed into both novels is meticulously researched and beautifully detailed. Fox and Risingsun are a dream team with this saga.”

Serendipity was alive and well writing that saga, especially how beautifully ancient ceremonies dove-tailed with the plot as if I’d known about them all along.

What will be lost?

Besides a book’s creative or intellectual content, to me it’s a physical thing. I love how they feel and smell, whether it’s fresh ink newly off the press or a musty antique over a hundred years old. Ebooks just didn’t feel that satisfying. I was grateful when self-publishing a paperback was an option, making it possible to hold my first print book, “Beyond the Hidden Sky,” in my hands and flip through the pages.

However, to me, a real book is a cloth-bound hardback with a dust jacket.

And this past June that dream was finally realized when all three books of the “Dead Horse Canyon” saga were released as hardbacks, laminated covers on Amazon, and real books with a cloth cover and dust jacket available through Ingram and found on Barnes and Noble, Books-A-Million (BAM), and numerous other booksellers’ websites.

Everything is being digitized, which is convenient, but I shudder to think that my generation of Baby Boomers may be the last to embrace physical, print books. The expense and storage involved versus the option of digitizing everything leaves no other choice.

Given that, how many will grow up without the joy of holding a brand new release from their favorite author in their hands, much less an autographed copy? Or never know the awe and expectation amid the imposed silence found within a massive library? While the words may be the same, there’s an essence found only from a tome in tangible form. When they’re my age will they miss their first smart phone the way I treasure the memory of those beloved books?

Or maybe that’s just me, an admitted bibliophile, who loves the print medium as much for its physical presence as what lies within. Digital formats that could disappear with a power surge or a few key strokes just aren’t the same. (Probably a thought my children will express loudly when I die and they have to deal with my many bookshelves full, only one of which you see at the top of the page.)

And how much easier might it be to pull the plug on books with content found offensive or declared “wrong” by someone in authority? Where would we be as a civilization without old tablets, scrolls, and other records?

To a bonafide bibliophile like myself digitizing books reeks of sacrilege. If you agree, be sure to buy a physical book once in awhile. Preferably a new one, so the author sees even a few dollars of benefit from it.

Epilogue

When I saw “The Abandoned” and “The Tough Winter” were still available on Amazon I literally cried. The book cover for “The Tough Winter” looks exactly like the book I had as a child. I ordered “The Abandoned,” planning to read it again, then leave it as my favorite book from my childhood to whomever wants such an anachronism when I die.  

This trip down memory lane led me to discover my reading list for the remainder of this year. Revisiting those favorites from the perspective of a septuagenarian should be interesting.

What books did you love from the time you could read? What made them special? Would you like to hold them again as you would hug a dear friend you hadn’t seen for years?

And that, no doubt, is why I simply had to order a physical copy of “The Abandoned.”

Explore Cultural Depth with Dead Horse Canyon Reader’s Guides

open book overlooking canyon

Grab your reading glasses and find a comfortable chair! Reader’s Guides for all three books in The Curse of Dead Horse Canyon Trilogy are now complete! You can download each one in pdf format below as well as on each book’s respective page on this website.

Note that there are two for each book. The “Thematic” version is much shorter and addresses the book as a whole. The Reader’s Guides are more comprehensive, especially for Books Two and Three. These proceed chapter by chapter while they’re grouped for Book One. 

Just for fun, trivia, a playlist and even a few recipes are included. Why? To further relay the tone, feeling, and in some cases, taste, of the books. 

Along those lines, here’s a link to some indigenous music I love to get you in the mood. It’s not Cheyenne, it’s Australian, but who can resist that beat? Why is it here? This is what Charlie and Sara are listening to when they’re searching for Bryan’s data! This scene is found in Chapter 42, Canopus, of The Curse of Dead Horse Canyon: Cheyenne Spirits.

This trilogy not only lent itself to reader’s guides, but demanded them. Why? Serious readers, including book club members, crave a deep dive into complex stories. This trilogy is loaded with characters, each with their own agenda. So many that a dramatis personae was included in each book to help keep them straight. Greedy oil barons, corrupt government officials, and lobbyists on one side with charismatic indigenous men and women reestablishing a culture white men tried to destroy on the other–plus a wide variety of other supporting characters.

Their destiny? Light the fuse on a 19th Century curse.

Here are a few comments from emails I received:

“…intrigued, not only by the depth of the storyline, but by how seamlessly you blend Indigenous prophecy, science, and spiritual awakening. That balance isn’t easy to strike, yet your work does it with power and purpose.”

“You two are such a powerful creative force, and this story is proof of what fiction can be when it’s written with purpose, cultural depth, and emotional honesty. The pacing, the point of view shifts, the drama, the reverence– even the surprising emotional pivots and that healing ceremony…wow came together in a way that felt epic, yet deeply personal.”

“An explosive conclusion blending conspiracy, cultural heritage, and spiritual awakening is an incredible hook. The depth you’ve woven from Cheyenne prophecy to modern corruption creates a narrative that’s both gripping and profound.”

What are you waiting for? Dive in today, armed with a Reader’s Guide that will assure you don’t miss a thing. If you do, it’s okay. Multiple readers have reported reading the books more than once, catching details they previously missed.

Less likely, however, with the Reader’s Guide. 😉

Available as ebooks, paperbacks, and hardcovers. If you have Kindle Unlimited you can read the entire Trilogy for free. [NOTE:–Hardcovers on Amazon are laminated covers, those on Barnes and Noble are cloth covers with a dust jacket.]

And when you’ve finished devouring the saga please leave a review! Reviews help other readers find books they’ll like and help authors as well. If you read reviews before you buy something, then you know how important they are.

The Curse of Dead Horse Canyon: Cheyenne Spirits (Book 1)

Return to Dead Horse Canyon: Grandfather Spirits (Book 2)

The Revenge of Dead Horse Canyon: Sweet Medicine Spirits — Novovose

open book overlooking canyon

Essential Guide to The Curse of Dead Horse Canyon

If you’re a serious reader and want to really sink your teeth into this saga, now you can download our free Readers’ Guide for help along the way. Loaded with thought-provoking insights, discussion ideas, a few recipes, playlists, and a touch of trivia, it will enhance your enjoyment and understanding of the complexities of this award-winning story. Numerous readers have reported reading it at least twice, which bodes well for its quality and reader engagement.

If you belong to a book club, this will facilitate your dive into the series, with similar guides for the other two books coming soon.

Download your copy today!

Exploring the Untold Stories of the 19th Century Peace Commission

Review of “The Girl in the Middle: A Recovered History of the American West” by Martha Sandweiss

A magnificent must-read for aficionados of the West’s colorful history

When I saw this book’s haunting cover, I knew I had to find out what was inside. I’m astounded by the wealth of research done by the author and what she uncovered, revealing who and what those six men were as well why they were gathered at that place and time. Sandweiss includes the photographer and even succeeds in identifying the lone Native American girl, whose name was not included in the photo’s caption.

Be aware that every incident included in the text is documented in fifty-seven pages of “Notes.”

Wow.

What an incredible quest! One accomplished through scrutinizing government records of official actions, census records, newspaper articles, wills, land records, and personal interviews with the progeny of those involved.

The men in the photo are General William S. Harney; Senator John B. Henderson; John B. Sanborn; Samuel F. Tappan;  Nathaniel G. Taylor; Alfred Howe Terry. The photographer is Alexander Gardner, famous for his documentation of the Civil War as well as portraits of President Abraham Lincoln, General William T. Sherman, and other dignitaries. The girl is Sophie Mousseau.

Looking at it journalistically, let’s use the standard who, what, when, where, and why.

Who: The men are members of the federal Peace Commission.

What: Meet with a multitude of Native American tribes.

When: It’s 1868, the nation still recovering from the Civil War.

Where: Fort Laramie, Wyoming Territory

Why:  To work out treaties and agreements with the Native Americans

Not a simple task, to be sure.

Within the pages of this amazing tome lie details not found anywhere else about who each of those men were besides soldiers, politicians and activists. Not their public persona: their angels and demons, opinions, political sway, family, and in some cases, criminal records.

Their negotiations with the various tribes is detailed as well.

This is not some dry, impersonal chronology that makes your eyes glaze over like you encountered in high school. It’s an intimate look at not only these men and the circumstances that brought them there, but a glimpse of the true condition the United States (which was still in the process of forming) and the challenges faced by the government.

Besides the challenge of integrating the slaves freed following the Civil War into society, they had troubles galore related to the settlement of the West and working out agreements with the Native Americans. Don’t forget that the nation was also loaded with immigrants, with everyone trying to find their place in the adolescent nation.

You may have heard of the Sand Creek Massacre and Wounded Knee, but what about Blue Water Creek? If you believe like I do that this land was deliberately stolen from its original inhabitants, (who were not considered citizens until 1924 because they were not born in the United States), you will learn even more of the sordid details.

At least some of the Peace Commissioners (obviously not the military members) were actually pretty objective and fair, acknowledging the many gripes the Native Americans had as legitimate. The report even pointed out conflicting values by stating, “If the lands of the white man are taken, civilization justifies him in resisting the invader. Civilization does more than this: it brands him as a coward and slave if he submits to the wrong.” Conversely, “If the savage resists, civilization, with the ten commandments in one hand and the sword in the other, demands his immediate extermination.” While the commissioners didn’t want Indians to disrupt the settlement of the West, they doubted “the purity and genuineness of that civilization which reaches its ends by falsehood and violence, and dispenses blessings that spring from violated rights.” (p. 159)

I was aware that the Black Hills were very much stolen.  The Fort Laramie Treaty of 1868, which promised the area to the Lakotas in perpetuity, was nullified by the so-called Agreement of 1877 and redrew the boundaries of the Great Sioux Reservation to exclude the Black Hills.

Why? To open it up to white settlement and the pursuit of gold while also ending the military defense of Lakota treaty rights.

Originally, that reservation was around sixty million acres. But the 1877 agreement (signed by only about 10% of Lakota men versus the required 75% according to an 1868 treaty), returned most of the Black Hills to the United States. The new reservation was now slightly less than twenty-two million acres, a 63% reduction.

In 1892 the Lakota began demanding  compensation. Petitions and protests persisted for roughly 60 years until 1980, when the Supreme Court ruled in their favor, stating that the 1877 federal seizure of the land was done in bad faith without the proper consent from the adult men of the tribe. It awarded the tribe $17.1 million in damages, plus interest from 1877, for a total of roughly $106 million.

That may sound as if the issue is resolved. It’s not. The tribe refuses to take the money, which with accruing interest, would now be around $1.5 billion. Why? Some leaders say it would represent relinquishing their claim to the land–a price too high.

Since then the Seven Council Fires of the Great Sioux Nation has resorted to purchasing parcels of land from private ranchers. The Interior Department now hold that land in trust to be governed by the same laws that govern other trust land in Indian Country.” (p. 273)

Did you know the U.S. Government had a program that accepted “Indian Depredation Claims” from people who had suffered property damage from Indian raids and other incidents? Some of those claims took decades to settle, typical of government programs to this day. Some things never change.

So what about the girl, Sophie Mousseau?

It turns out that Sophie was “in the middle” in another respect as well. Her mother was Yellow Woman, a Oglala Lakota. Her father was Magloire Alexis Mousseau, a French Canadian.

Indeed, Sophie went on to marry and have children with two different white husbands. In censuses and other records it was common for individuals to show up as white in one document and native in another.

This was another situation that arose with its own set of complications, the matter of mixed breed individuals who were often not accepted by either culture. Furthermore, there were Indians who behaved like whites, and whites who behaved like Indians. Some of this came about when reservations were broken up via allotment programs, where many stepped in to grab land, which further reduced the size of reservations.

We think the times we live in now are complicated, but this books demonstrates that the 19th Century was loaded with challenges, some of which we still face today.

If you’re a history buff interested in the growing pains of the American West, many of which still remain as various aches and pains, I cannot recommend this book highly enough. Maybe the detail will be too much for some, but getting to know the people in this iconic photo brings it to life like never before. It was heartening to find out that the Peace Commission did recognize many of the injustices perpetrated against Native People. However, Congress didn’t agree and thus ignored its recommendations as they pleased.

As stated before, Pete Risingsun and I did a lot of research writing the Dead Horse Canyon Saga, but it was nothing compared to what was done to create this amazing book. You can find it on Amazon here.

The Fascinating World We Cannot See

If you’ve read any books in the Dead Horse Canyon trilogy you’ve encountered numerous instances where Charlie received a message from something other than another human being. In the Cheyenne culture these messengers are known as the maiyun, or spirit helpers. When I was writing these stories and Charlie would come across one, I always wondered if it was a stretch, my imagination getting out of hand. However, my coauthor, Pete Risinsun, always assured me they were quite typical in his culture.

If we focused on tuning into nature, considering we’re all part of the same greater, spiritual whole, we could hear them, too. You could start with noticing spirit animals, which is when you spot anything from a spider, bird, squirrel, or other wild animal that gets your attention. What is he or she trying to tell you? Often it will relate to one or more of its characteristics that you would do well to replicate. You can find a previous blog on spirit animals here.

If relating to an indigenous culture is too much of a stretch, try reading about the experiences of someone from a more familiar western way of life; someone whose work provides a bridge of sorts between the two belief systems. One I’ve learned from is medium, Rob Gutro, who has first-hand experience with the world of spirits.

I first discovered his books when I stumbled upon his “Pets and the Afterlife” series after losing one of my fur babies, an 18 year old Bengal named Ophelia. He not only channels humans, but pets as well, providing information he couldn’t possible know or understand, yet has meaning to grieving pet parents. I found considerable comfort in the stories, which include information on signs to watch for that your pet is paying you a visit from beyond the Rainbow Bridge.

Indeed, shortly after reading the first book in that series, Ophelia did, indeed, come to visit one night. I have her cremated remains on a bookshelf in a little wooden box. Next to it is her favorite toy that she used to carry around. When she did, she would meow as Bengals do which, with the toy in her mouth, came out as a distorted blood-curdling yowl.

She loved her “baby” and often slept with it. And one morning, when I got up, her “baby” was on the floor. There was no other way it could have gotten there since it was out of reach of my other two cats. Furthermore, there was a chair stacked with pillows in front of it, so it should have fallen on top. If one of the cats had jumped on it, the pillows would have fallen. However, the toy was not only on the floor, but underneath the chair.


I’m sure she’s come by other times as well, most likely with her much larger brother, who passed in 2020, which I suspect is what’s going on when my other two cats are staring with wide eyes at something I cannot see.

If you have ever lost a beloved pet, I highly recommend this series. I had the first two books, both of which I’ve given away to friends and family when they were grieving a similar loss.

Thus, when I encountered another of Gutro’s book, “Kindred Spirits: When a Medium Befriends a Spirit” I was fascinated. The other books were very informative about the Spirit World, so I wondered what else I might learn. A few details came out that were new and directly related to the Cheyenne concept of maiyuns.

One very basic concept is that our deceased loved ones are not as far away as we may think. He explains how spirits are those who “go into the light” when they pass while ghosts remain in a fixed location for some reason known only to them. Sometimes they’re lost or confused and can be helped to cross over, which Gutro has done on occasion.

If you’ve read the Dead Horse Canyon books, you may recall White Wolf and Charlie talking about doing that in book 2 when they drove to Billings to get a new alternator for the Explorer and perceived spirits along the highway, which according to Gutro’s explanations, would have been ghosts.

Gutro noted that spirits can interact with anything living. There are various instances in the trilogy where Charlie encountered just that. What comes to mind is whether it was the spirit of the aspen tree (Book 1, Chapter 6), or the squirrel (Book 3, Chapter 43) that spoke to him, or was it a spirit of one of his ancestors prompting the interaction?

According to Gutro, visiting spirits often leave something for you to find, like a coin. In most cases its date will relate to the person in some way, such as their birth or death year, or other key time, for example when you met. Such an example in the books is the arrowhead Charlie came upon during a trail ride. (Book 2, Chapter 39). Later, in Book 3, White Wolf told him that a maiyun spooked the horse so that he would fall off and find it.

Gutro also mentioned how a person’s energy is retained in their cherished possessions. This is what “sentimental value” is all about. What do you have that is quite possibly just sitting around collecting dust, but you simply can’t get rid of it because it means something to you or did to someone you cared about and is now gone?

Here’s an example of such an object I have doing just that. That little knick knack,

which is older than I am and at one time cost $0.79, which is inked on the bottom, belonged to my mom. As long as I can remember it sat on the kitchen windowsill. I have no idea what it meant to her or why, but it was always there, and has been broken and repaired numerous times. For whatever weird reason, I think I would protect that little bull with my life! (Maybe not, but you get the idea.) Something about that little guy touches my heart.

Not long ago, a friend sent me something and when I received it I could feel the affection it contained. That made me rethink my usual practice of having presents drop-shipped to save money rather than reshipping them myself. Should I be infusing these gifts with affection, like Star did with the gifts for Sara and her family in Book 2? And what about Amasani’s blanket, (Book 1, Chapter 24) that conveyed her love and comfort to Charlie?

I can’t help wondering about trickster maiyuns, like the ones that always caused minor household problems whenever White Wolf and Charlie were away from home. If you’ve ever had a friend or relative who was prone to practical jokes, could that be their origin? Still up to no good in the afterlife?

Gutro’s knowledge of the Spirit World has vast similarities with what the Northern Cheyenne and other indigenous cultures not only know but take for granted. Spiritually enlightened people continue to remind us we are all connected and love is the strongest energy there is. We can always hope that daily living spirituality is making a comeback.

The real question is not only why but when was it lost to the white man, but not indigenous people?

History undoubtedly holds the answer.

[Note:–The Dead Horse Canyon Trilogy mega-ebook that contains all three Dead Horse Canyon volumes is now on Kindle Unlimited! If you haven’t yet indulged in this series and don’t have Kindle Unlimited, you can get your copy for only $7.99, a 38% savings over buying the ebooks separately, plus a special addendum is included.]

Co-Author Matchmaking

Have you ever wondered how Pete Risingsun, a Northern Cheyenne elder living on the tribe’s reservation in southeastern Montana, and Marcha Fox, a science fiction author living in Texas, became coauthors? If so, you’ll want to read the article published by the staff of Soaring Eagle, the charitable organization that supports the Heritage Living Center for Northern Cheyenne elders where Pete resides. You can find it in the Spring edition on their website here. That organization was key to facilitating this incredible partnership that has produced three award-winning novels over the past five years.

Pete and Marcha have never met face-to-face and he does not even have a computer! Phone calls, texting, and snail mail were the vehicles used to communicate, collaborate, and produce over 1400 pages of an incredible three-volume story.

The response to the article was great, as shown by a significant increase in book sales. Of particular interest was a letter, which you can see below, that was sent to Soaring Eagle by a woman who read the newsletter and as a result purchased and read the three books.

The biggest challenge for most authors, especially those that are self-published, is finding their audience. The Dead Horse Canyon Saga is unique, making this even more difficult since it doesn’t fit a single genre. However, with multiple story themes including a government conspiracy, murder, a detailed glimpse at Cheyenne history and ceremony, deep bonds of family and friendship, to say nothing of Charlie Littlewolf’s transformational journey back to his roots, there is something for everyone.

So far the three volumes have captured a total of 13 awards. This includes 5-stars and glowing reviews from Readers’ Favorite for each book, along with prestigious Book Excellence Awards.

Fans of the Longmire series (Craig Johnson’s books as well as the TV series) or the Leaphorn and Chee stories by Tony Hillerman and continued by his daughter, Anne, (novels and the Dark Winds TV series) are likely to enjoy these books. Dead Horse Canyon takes an even deeper dive into native culture and history with characters the reviewer from The Book Commentary described as “lovable,” while an Amazon reviewer of the third book described them as “Characters you will fall in love with. Characters you will fantasize horrible death wishes for with fingers crossed. And sleepless nights as you read it.

It’s been said, “Do not to judge a book by its cover.” Just in case this is an issue, new covers are coming the end of June! Stay tuned!

You can find the books on Amazon here.

Did I Channel this Trilogy?

Okay, folks. Here’s the deal.

Pete Risingsun, my coauthor, and I did a vast amount of research when we wrote “The Curse of Dead Horse Canyon” trilogy. The depiction of the Cheyenne culture is accurate. The history referred to in the stories really happened, save that which was clearly made-up, though even that was feasible. Abandoned mines definitely are a pollution issue. The astrology is actual for the time and place and characters involved, which is weird and another blog in itself.

But if there was one thing that was made up it was the source of the conspiracy, i.e., the Pearson Underground Residence Facility (PURF).

Or was it?

My jaw dropped when a friend sent me this article about just that, such a facility on an even grander scale than I have in our novel! Check it out here.

The article in The New York Post linked above opens with the following paragraph, “The federal government has secretly spent trillions building an elaborate network of subterranean ‘cities’ where the rich and powerful can shelter during a ‘near-extinction event,’ a former Bush White House official sensationally claimed.”

Much of its source and, if you’ll excuse the expression “from the horse’s mouth,” can be found in this short video (12 minutes) where Elizabeth Austin Fitts, who served as the assistant secretary of Housing and Urban Development for Housing between 1989 and 1990, talks about it on Tucker Carson’s podcast.

While I knew there were plenty of underground bases (because the History Channel says so, right?) which made PURF credible, I had no idea it was even worse than I imagined!

So if anyone out there thinks that part of the story is a stretch, bear in mind that they have actually spent even more, by several orders of magnitude, than I have noted in the books. We’re talking TRILLIONS whereas in the story it was BILLIONS.

The money probably came from those “magic money machines” the DOGE team found, right? The actual corruption coming out these days makes my fictitious situation pale by comparison.

While Pete and I were writing these books I was amazed by how many actual situations–historical and otherwise–fit perfectly. Particularly, as we researched Cheyenne ceremonies, much came out that drove and further defined the storyline. I didn’t know anything about the Massaum as the Earth Giving Ceremony, the meeting of Indigenous leaders at Walker Lake, Nevada, or any number of other things when I conceived this story. I knew how it would end but I had no idea how.

As I look back, I can’t help but wonder where this story came from? Mine and Pete’s imagination? I may have mentioned this before, but I’m what they call a “pantser,” not a “plotter.” In other words, I write “by the seat of my pants.”

I start with a very general idea/theme in mind. I populate it with characters and turn them loose. I’m more of a scribe than an author making the story up. I simply watch what they do and write it down. My characters repeatedly get themselves into scrapes where I have absolutely no idea how they’ll get out.

But they do. Usually in some way I never dreamed of.

Did I channel these books rather than make them up?

I think most of us can agree there are other dimensions out there. Psychic phenomena are very real and no doubt operate in some other reality beyond what we can currently detect. Did these stories actually take place in one of them?

I had much the same experience while writing the Star Trails Tetralogy, especially in “The Terra Debacle: Prisoners at Area 51″ in developing the science behind a telepathic walking plant.

One of the reasons I love research is all the amazing, serendipitous factoids I uncover that fit and often drive the plot and action. It’s as if the story is already out there, just waiting for some writer’s muse to whisper it in their ear.

I must say, not knowing what will happen makes writing as much fun as reading. I like to think that if it has me in suspense that such will be conveyed to my readers as well.

Here’s one teaser from “Revenge of Dead Horse Canyon: Sweet Medicine Spirits – Novavose” where I had absolutely no idea what would happen. The character in question popped up quite late in the book, but she fit perfectly.

If you’d like to get the entire trilogy in a single mega-ebook that also includes some bonus material about that Earth Giving Ceremony, you can pick one up on Amazon here.

Let me know in the comments what you think regarding where stories come from as well as whether you find my stories predictable. Like I say, I know how they’ll end, but rarely if ever know how it comes about.

Navigating the Review from Hell

I believe that most artists, like myself, are basically insecure. Especially those of us who are perfectionists. We’re acutely aware of any flaws in our work and cringe at their discovery. Nonetheless, authors look forward to readers’ reviews, albeit with fingers crossed, that they’ll be good.

Imagine my horror when my latest release got an abysmal 2-star nasty review! Not only had I made a mistake that she gleefully pointed out, but said it was “long and boring.”

OMG!

Part of what she criticized actually was a mistake (and perfectionist that I am, immediately corrected), but clearly she didn’t have the same experience I had with how some Texans butcher English grammar.

It’s been said that a book doesn’t have true credibility until it has a few “bad” reviews. True as that may be, it’s not much consolation when it’s your book. Especially when it was only the second review posted, so it dragged the rating down significantly, as you can see above.

I immediately turned to people I know who’d read it as well as the previous two books and asked for their honest opinion. I really wanted to know if it was that bad, not fishing for unworthy praise. If it was truly that awful I was ready to unpublish it and do some serious editing. I was told that it was just fine, there was nothing wrong with it, the person simply didn’t “get it.”

Only slightly consoled, I decided to follow the advice of a fellow author’s blog which stated to check out the bad reviews given to some of the classics.

Such as this 1-star review of Hemingway’s “Farewell to Arms” that states, “This is, according to critics, one of Hemingway’s best books. If so, I really cannot fathom his greatness. Really boring book that feels neither exciting nor, for that matter, educational. Just dry…”

That helped.

Then I found this 3-star review for Charles Dickens’ classic, “A Tale of Two Cities:” It’s dense, wordy, and often confusing, making the story tough to follow and, at times, flat-out boring. The writing felt clunky, not lyrical, bogging down the epic scope with unclear details and slow pacing.

By then I was starting to see my reader friends were right. It’s all a matter of “getting” the story’s meaning. Having the mental and emotional depth to comprehend something that’s not the usual straight-line plot loaded with continual action is not every reader’s superpower.

Did being described as “boring” rank me with other great misunderstood authors?

Probably not, but it was a pleasant, albeit fleeting, thought. 😉

The reviewer admitted she’d “skipped” several parts and hated the ending. No doubt by skipping certain parts she missed the context leading up to the finale, detracting from its impact and meaning.

As I write this, I know of at least one reader who is already reading it for the second time. Her first read was a marathon race to whiz through it, just wanting to know what happened. Now she’s reading it to savor and absorb all that it contains.

The book has 569 pages. That is definitely long.

Why?


Let’s just say I have more than one shelf filled with books used researching this story along with my co-author, Pete Risingsun.

We read thousands of pages. More time was spent researching and crafting the story than writing it. Our idea of “perfection” was to present an accurate representation of Cheyenne culture, ancient and modern, as well as all they suffered at the hands of the U.S. Government. Their ceremonies have deep spiritual meaning, often beyond the comprehension of readers whose view of Native Americans hails from watching old TV shows like Gunsmoke depicting the “Old West” with its “cowboys and Indians.”

A 5-star review I found for Dickens’ “A Tale of Two Cities” helps explain this syndrome. This wise reviewer states, “I feel that this book is not viewed as being one of the top tier of Dickens works due to the fact that it is thrust upon grade 9 students as an introduction to literary classics and, being so, its impact and overall cultural power has become diluted due to the audience that initially received it. It is not in regards to the content of the work itself. The intellectual abilities of students of this educational level are not able to understand the historical era, appreciate the fluent descriptive nature of the writing nor to comprehend the literary nuances that the author presents.”

And there you have it.

Readers may consider a story “boring” when they can’t grasp its depth, context, and meaning.

Granted, many books lack all three and are the ones I’d be likely to give a 2-star review along with those riddled with typos, poor formatting, grammatical errors, plot holes, and so forth.

Reviews say as much about the reviewer as they do about the book. If they scare away readers like themselves that’s a good thing if it precludes more unfavorable reviews, right?

Forgive me for sounding defensive, but the fact the book earned both a Book Excellence Award and 5-stars from Readers’ Favorite since that horrific review helped restore my confidence. Hopefully, those awards also restore enough credibility for the story to highlight that bad review for what it is.

In the aftermath of that 2-star slam, truly the worst I’ve ever had, I cherish the Readers’ Favorite reviewer’s statement.

“This finale succeeds with a perfect 10 landing. Very, very highly recommended.”

It brought tears to my eyes. Thank you, thank you, thank you!

Needless to say, I’m beyond grateful that she “got it.”

Following the Same Path

I am very pleased to report that “The Revenge of Dead Horse Canyon: Sweet Medicine Spirits – Novavose” has received both a Book Excellence Award and a 5-star review from Readers’ Favorite. I give tremendous credit to the reviewer, Jamie Michele, who had a heavy task, dealing with the final book in this long, complex saga. I’m beyond grateful she was clearly up to it, however, and comprehended the significance and import of the events. Here is what she had to say:

“The Revenge of Dead Horse Canyon: Sweet Medicine Spirits – Novavose by Marcha Fox and Pete Risingsun is the finale to the Dead Horse Canyon Saga. In books one and two, Sara Reynolds recalls only her husband Bryan’s dying plea to discover his killers after a deadly crash. With the help of Bryan’s friend, Charlie Littlewolf, and ancient ceremonies, they uncover the truth behind Bryan’s murder, sending their lives into turmoil.

“As Charlie roils with conflict over his oil drilling job, he also faces his true destiny on the Northern Cheyenne reservation. Meanwhile, Sara risked her life to expose a government conspiracy that was ready to silence her permanently. Now, Sara fights for survival after the attack that left her paralyzed, and Charlie vows to help her heal. His journey to Bear Butte reveals a destiny tied to restoring the ancient Massaum ceremony. As corrupt officials celebrate a secret facility’s opening, Indigenous leaders gather, fulfilling long-held prophecies that could change the fate of Dead Horse Canyon forever.

“’Do not become afraid when the Sweet Medicine Spirits come to you. Do not disobey them. Be humble and do what you are told.’

“The Revenge of Dead Horse Canyon by Marcha Fox and Pete Risingsun stands out for its sharp writing and complete ability to immerse readers, especially in Charlie’s spiritual transformation. Poor Sara just cannot get a break. Attacked, paralyzed, kidnapped, and then labeled a domestic terrorist and sanctioned! This isn’t just a fight for survival; this is about the power of truth in the face of overwhelming opposition.

“Charlie fits into this description, with a spectacular ceremony for Sara’s healing, but also as a powerful catalyst when he is in the presence of Grandmother Earth and the consequences of his actions. Fox and Risingsun are a dream writing team in every way, and, culturally, this portrayal of Charlie’s heritage is painted from the sky to the smallest pebble and the fire burning in between. The pacing is elevated by point of view shifts and all the drama, but also a surprising relationship transformation as well. Ultimately, this finale succeeds with a perfect 10 landing.

“Very, very highly recommended.”

Every author believes in their work but receiving validation from an objective reviewer who doesn’t know you from Adam is worth its weight in gold. Self-promotion is not my superpower, making me appreciate the kudos even more.

If you haven’t yet read the trilogy, all three volumes are coming out April 18 as a box set ebook on Amazon. You can preorder your copy here.

THE WORLD OF THE MAIYUN

My method of writing is generally referred to as a “pantser,” i.e., I write by the seat of my pants. The other prevalent writing style that of a “plotter,” where the author determines the entire story, scene by scene, in an outline. I tried plotting, but my characters persistently got out of hand. They’d refuse to follow my plan and do their own thing. It didn’t take long to discover they had a better grip on the story than I did. Thus, I became a “pantser.” I populate my story idea with characters, then sit back to watch what they do as would a dutiful scribe.

I began work on this saga before connecting with my co-author, Pete Risingsun. I had a handle on the story’s government conspiracy angle, but lacked cultural knowledge of my main character, Cheyenne Charlie Littlewolf. I wrote what he told me to, but didn’t know whether it was feasible.

As a science fiction author, I wondered.

Was my imagination getting carried away?

I tend to obsess over accuracy and can get carried away with research. I started reading books on Native American cultures, but I needed to find a Cheyenne elder who could let me know if what I had written from Charlie’s point of view was accurate or too off-the-wall.

When Pete got involved he assured me that the various incidents I’d included were indeed realistic in the Cheyenne world. I smiled, relieved to learn Charlie was not leading me astray.

One incident that I wondered about is depicted in chapter six, “The Aspen,” of the first book, “The Curse of Dead Horse Canyon: Cheyenne Spirits.” It’s there that Charlie receives a message from the aspen tree that witnessed the wreck that killed his best friend. Besides numerous others, another one of my favorites is in the second book, “Return to Dead Horse Canyon: Grandfather Spirits,” where in chapter thirty-nine, “Trail Ride,” Charlie finds an ancient arrowhead that tells him and his brother, Winter Hawk, (cousin in western culture), that their prayer regarding the fate of the murderer had been heard.

As work on the saga continued, more and more research came into play. The works of George Bird Grinnell as well as Peter John Powell were excellent sources, but had limitations. I find it ironic that some of the most detailed information on ancient Cheyenne (Tsistsistas) beliefs and ceremonies is conveyed by German anthropologist, Karl H. Schlesier. His book “The Wolves of Heaven” was priceless while writing this trilogy, especially his detailed description of the Massaum, the Earth Giving Ceremony, that plays a key role in the final volume. In a typical episode of serendipity, I found Schlesier’s book on Amazon, attracted by its subtitle, “Cheyenne Shamanism, Ceremonies, and Prehistoric Origins.”

Or was it a maiyun who brought it to my attention?

What is a maiyun?

Schlesier tells us they are powerful spirits that associate with human beings. There are also the hematasoomaeo, which he describes as “the immortal spiritual forms of plants, animals, and human beings. . . .The maiyun most responsible for physical life on earth belong either to the deep earth or to the sky places. In Tsistsistas ceremonies they are celebrated especially and represented through plant and animal forms.”

The lodge of the maiyun is the Sacred Mountain, i.e., Novavose. (You’ll meet plenty of them in “Revenge of Dead Horse Canyon: Sweet Medicine Spirits – Novavose.”)

Why have western religions denied the existence of such things? Claim that animals do not have souls, a belief with which any pet owner, farmer, or rancher will disagree? Slowly the world is awakening to the reality of other dimensions; recognizing the thin veil between life and death and the elusive nature of time.

Things ancient peoples took for granted.

Speaking of animals, a few months ago, my precious 18 year old feline fur baby, Ophelia, crossed over. I hoped that when she did, that she was reunited with her half-brother, Hamlet, who’d left this life four years before. Thus, I was drawn to the “Pets and the Afterlife” book series by Rob Gutro. He’s a medium who specializes in connecting with pets in the spirit world. These books contain dozens of stories of such experiences. The truth of what he envisions is validated by multitudes of grieving pet owners when he provides details of the encounter that he couldn’t possibly have known.

As I read Gutro’s books I couldn’t help but think of the maiyun–spirit helpers that indigenous people have relied on for millennia. What are “civilized” people missing by tuning out these messages and connections?

I am beyond grateful for my introduction to this marvelous world while writing these three tomes with Pete. My heart and mind lived there from July 2018 when this story was conceived until the final book was published in January 2025. My life is enriched beyond measure for the experience.

Two of my favorite quotes related to this lost wisdom were spoken by Tȟašúŋke Witkó (Crazy Horse), the Oglala Lakota Leader who said:

The red nation shall rise again and it shall be a blessing for a sick world; a world filled with broken promises, selfishness and separations; a world longing for light again. I see a time of seven generations when all the colors of mankind will gather under the sacred tree of life and the whole earth will become one circle again. . . In that day, there will be those among the Lakota who will carry knowledge and understanding of unity among all living things and the young white ones will come to those of my people and ask for this wisdom.

The Curse of Dead Horse Canyon Trilogy is a lengthy saga that is more than a juxtaposition of a corrupt government’s clash with Cheyenne spirituality. It’s an introduction to a world too many don’t yet see.

But as Crazy Horse declared, they will.

You can find the trilogy on Amazon and other online vendors.