Confessions of a Life-Long Bibliophile

The True Loves of My Life

As an only child, books were important. Fortunately, my mother read to me as a young child such that I could read by the time I went to school. I was reading chapter books by 3rd grade, maybe sooner. My early favorites were animal stories by authors like Paul Gallico, who wrote “The Abandoned,” my favorite book for many years, perhaps for all time. Robert Lawson, author of “The Tough Winter” was another favorite.

I remember going to the Peekskill New York Public Library in my home town and coming home with a huge stack of books, especially in the summer.

While still in elementary school I discovered Nancy Drew Mysteries. I would save my allowance to buy the latest release and had them all, which were usually read more than once. As a teen my favorite was “The Catcher in the Rye” by J.D. Salinger. I remember reading on a city bus and coming to a part that made me laugh out loud, earning odd looks from my fellow passengers.

As a working adult, I had to give up certain authors because they kept me up all night: Michael Crichton, Tom Clancy, John Grisham, to name a few.

Home at Last!

Somewhere along the line I discovered science fiction. The classics by Jules Verne such as “Journey to the Center of the Earth” and H.G. Wells’ “The Time Machine” were my first discovery, followed by Isaac Asimov and Robert A. Heinlein, the latter my all-time favorite, especially “The Door Into Summer” and “A Stranger in a Strange Land,” where the word “grok” originated, for those of you who didn’t know.

I scratched out my first science fiction story in 6th grade on yellow lined paper about the planet our teacher hailed from.  Not much of a plot, but my classmates found it entertaining. Not surprisingly, an avid reader like myself aspired to be an author when I grew up, more specifically a science fiction author.

One thing that always frustrated me was that science fiction books had very little actual science in them, probably why I favored Heinlein, who was an aeronautical engineer whose fiction started the “hard science fiction” sub-genre.

As a perfectionist, I wanted to learn more about science so that when I wrote my stories they would contain the scientific explanations I craved as a youth. Thus, at 35 I returned to school to earn a bachelor’s degree in physics from Utah State University, followed by a 21 year career at NASA’s Johnson Space Center in Houston, Texas.

We’re told to “Write what you know,” right?

My first science fiction novel, “The Capture of Phaethon,” about an asteroid collision with Earth was written while I was in college. It won me a scholarship as well as First Place Honor in a state competition. Maybe someday I’ll get it published. For now, the manuscript is in a box in the basement. Writing Phaethon was when I discovered the mysterious serendipity associated with creating fiction.

That’s all it is, right? Fiction? Something made up in your head?

My fictitious asteroid was named Phaethon, after the son of Apollo who crashed his father’s chariot into the Sun. Imagine my shock when doing research in the USU library’s NASA section that I found an asteroid by that name had recently been discovered! OMG! Later I discovered its usefulness in astrology, where it often indicates a “crash and burn” situation, figuratively or literally.

Heaven on Earth

The first time I set foot inside a library it felt like I was in Heaven. How it feels within the walls of a building lined with thousands upon thousands of books is as unique as it is indescribable. Every cell senses the knowledge and secrets that await, stirring my soul.

That could be why I often spend as much time researching a book as I do writing it, sometimes more. As much as I love my Kindle, for research it has to be a print book. I dog-ear pages, highlight, and leave sticky-notes galore.  When I encounter a used book like that, it tells me someone was really into its content, which is what any author hopes for.

When I wrote the Star Trails Tetralogy I incorporated science and technology problems into the plot. These were books I wanted to read as a youth but couldn’t find. I even created a Compendium with additional information for readers, teachers, and home-schoolers.

Star Trails books were popular in a charter school in Utah among young nerds like I was. I had the privilege of talking to those students a few years ago, which was so much fun. I know of at least one middle school science teacher in Florida who has my books in her classroom for extra credit reading. 

My favorite review for these books is the one where my writing was compared to Robert A. Heinlein. Imagine that! I have no idea how many children may have been inspired by them, but it’s good to know of at least a few.

Shifting Genres

The Curse of Dead Horse Canyon” saga started as a cozy mystery, but my propensity for research quickly led to a far deeper and darker story. My characters got out of hand, as usual, and suddenly I had a main character who was Cheyenne, a culture about which I knew nothing. My encounters with Native Americans was limited, and primarily with the Navajo. Research and serendipity delivered coauthor, Pete Risingsun, who kept the cultural elements on target, to say nothing of the story itself and additional research we did together.

The Reader’s Favorite review for the second book, “Return to Dead Horse Canyon: Grandfather Spirits” noted, to our delight, that “The depth of ethnology packed into both novels is meticulously researched and beautifully detailed. Fox and Risingsun are a dream team with this saga.”

Serendipity was alive and well writing that saga, especially how beautifully ancient ceremonies dove-tailed with the plot as if I’d known about them all along.

What will be lost?

Besides a book’s creative or intellectual content, to me it’s a physical thing. I love how they feel and smell, whether it’s fresh ink newly off the press or a musty antique over a hundred years old. Ebooks just didn’t feel that satisfying. I was grateful when self-publishing a paperback was an option, making it possible to hold my first print book, “Beyond the Hidden Sky,” in my hands and flip through the pages.

However, to me, a real book is a cloth-bound hardback with a dust jacket.

And this past June that dream was finally realized when all three books of the “Dead Horse Canyon” saga were released as hardbacks, laminated covers on Amazon, and real books with a cloth cover and dust jacket available through Ingram and found on Barnes and Noble, Books-A-Million (BAM), and numerous other booksellers’ websites.

Everything is being digitized, which is convenient, but I shudder to think that my generation of Baby Boomers may be the last to embrace physical, print books. The expense and storage involved versus the option of digitizing everything leaves no other choice.

Given that, how many will grow up without the joy of holding a brand new release from their favorite author in their hands, much less an autographed copy? Or never know the awe and expectation amid the imposed silence found within a massive library? While the words may be the same, there’s an essence found only from a tome in tangible form. When they’re my age will they miss their first smart phone the way I treasure the memory of those beloved books?

Or maybe that’s just me, an admitted bibliophile, who loves the print medium as much for its physical presence as what lies within. Digital formats that could disappear with a power surge or a few key strokes just aren’t the same. (Probably a thought my children will express loudly when I die and they have to deal with my many bookshelves full, only one of which you see at the top of the page.)

And how much easier might it be to pull the plug on books with content found offensive or declared “wrong” by someone in authority? Where would we be as a civilization without old tablets, scrolls, and other records?

To a bonafide bibliophile like myself digitizing books reeks of sacrilege. If you agree, be sure to buy a physical book once in awhile. Preferably a new one, so the author sees even a few dollars of benefit from it.

Epilogue

When I saw “The Abandoned” and “The Tough Winter” were still available on Amazon I literally cried. The book cover for “The Tough Winter” looks exactly like the book I had as a child. I ordered “The Abandoned,” planning to read it again, then leave it as my favorite book from my childhood to whomever wants such an anachronism when I die.  

This trip down memory lane led me to discover my reading list for the remainder of this year. Revisiting those favorites from the perspective of a septuagenarian should be interesting.

What books did you love from the time you could read? What made them special? Would you like to hold them again as you would hug a dear friend you hadn’t seen for years?

And that, no doubt, is why I simply had to order a physical copy of “The Abandoned.”

Did I Channel this Trilogy?

Okay, folks. Here’s the deal.

Pete Risingsun, my coauthor, and I did a vast amount of research when we wrote “The Curse of Dead Horse Canyon” trilogy. The depiction of the Cheyenne culture is accurate. The history referred to in the stories really happened, save that which was clearly made-up, though even that was feasible. Abandoned mines definitely are a pollution issue. The astrology is actual for the time and place and characters involved, which is weird and another blog in itself.

But if there was one thing that was made up it was the source of the conspiracy, i.e., the Pearson Underground Residence Facility (PURF).

Or was it?

My jaw dropped when a friend sent me this article about just that, such a facility on an even grander scale than I have in our novel! Check it out here.

The article in The New York Post linked above opens with the following paragraph, “The federal government has secretly spent trillions building an elaborate network of subterranean ‘cities’ where the rich and powerful can shelter during a ‘near-extinction event,’ a former Bush White House official sensationally claimed.”

Much of its source and, if you’ll excuse the expression “from the horse’s mouth,” can be found in this short video (12 minutes) where Elizabeth Austin Fitts, who served as the assistant secretary of Housing and Urban Development for Housing between 1989 and 1990, talks about it on Tucker Carson’s podcast.

While I knew there were plenty of underground bases (because the History Channel says so, right?) which made PURF credible, I had no idea it was even worse than I imagined!

So if anyone out there thinks that part of the story is a stretch, bear in mind that they have actually spent even more, by several orders of magnitude, than I have noted in the books. We’re talking TRILLIONS whereas in the story it was BILLIONS.

The money probably came from those “magic money machines” the DOGE team found, right? The actual corruption coming out these days makes my fictitious situation pale by comparison.

While Pete and I were writing these books I was amazed by how many actual situations–historical and otherwise–fit perfectly. Particularly, as we researched Cheyenne ceremonies, much came out that drove and further defined the storyline. I didn’t know anything about the Massaum as the Earth Giving Ceremony, the meeting of Indigenous leaders at Walker Lake, Nevada, or any number of other things when I conceived this story. I knew how it would end but I had no idea how.

As I look back, I can’t help but wonder where this story came from? Mine and Pete’s imagination? I may have mentioned this before, but I’m what they call a “pantser,” not a “plotter.” In other words, I write “by the seat of my pants.”

I start with a very general idea/theme in mind. I populate it with characters and turn them loose. I’m more of a scribe than an author making the story up. I simply watch what they do and write it down. My characters repeatedly get themselves into scrapes where I have absolutely no idea how they’ll get out.

But they do. Usually in some way I never dreamed of.

Did I channel these books rather than make them up?

I think most of us can agree there are other dimensions out there. Psychic phenomena are very real and no doubt operate in some other reality beyond what we can currently detect. Did these stories actually take place in one of them?

I had much the same experience while writing the Star Trails Tetralogy, especially in “The Terra Debacle: Prisoners at Area 51″ in developing the science behind a telepathic walking plant.

One of the reasons I love research is all the amazing, serendipitous factoids I uncover that fit and often drive the plot and action. It’s as if the story is already out there, just waiting for some writer’s muse to whisper it in their ear.

I must say, not knowing what will happen makes writing as much fun as reading. I like to think that if it has me in suspense that such will be conveyed to my readers as well.

Here’s one teaser from “Revenge of Dead Horse Canyon: Sweet Medicine Spirits – Novavose” where I had absolutely no idea what would happen. The character in question popped up quite late in the book, but she fit perfectly.

If you’d like to get the entire trilogy in a single mega-ebook that also includes some bonus material about that Earth Giving Ceremony, you can pick one up on Amazon here.

Let me know in the comments what you think regarding where stories come from as well as whether you find my stories predictable. Like I say, I know how they’ll end, but rarely if ever know how it comes about.

Following the Same Path

I am very pleased to report that “The Revenge of Dead Horse Canyon: Sweet Medicine Spirits – Novavose” has received both a Book Excellence Award and a 5-star review from Readers’ Favorite. I give tremendous credit to the reviewer, Jamie Michele, who had a heavy task, dealing with the final book in this long, complex saga. I’m beyond grateful she was clearly up to it, however, and comprehended the significance and import of the events. Here is what she had to say:

“The Revenge of Dead Horse Canyon: Sweet Medicine Spirits – Novavose by Marcha Fox and Pete Risingsun is the finale to the Dead Horse Canyon Saga. In books one and two, Sara Reynolds recalls only her husband Bryan’s dying plea to discover his killers after a deadly crash. With the help of Bryan’s friend, Charlie Littlewolf, and ancient ceremonies, they uncover the truth behind Bryan’s murder, sending their lives into turmoil.

“As Charlie roils with conflict over his oil drilling job, he also faces his true destiny on the Northern Cheyenne reservation. Meanwhile, Sara risked her life to expose a government conspiracy that was ready to silence her permanently. Now, Sara fights for survival after the attack that left her paralyzed, and Charlie vows to help her heal. His journey to Bear Butte reveals a destiny tied to restoring the ancient Massaum ceremony. As corrupt officials celebrate a secret facility’s opening, Indigenous leaders gather, fulfilling long-held prophecies that could change the fate of Dead Horse Canyon forever.

“’Do not become afraid when the Sweet Medicine Spirits come to you. Do not disobey them. Be humble and do what you are told.’

“The Revenge of Dead Horse Canyon by Marcha Fox and Pete Risingsun stands out for its sharp writing and complete ability to immerse readers, especially in Charlie’s spiritual transformation. Poor Sara just cannot get a break. Attacked, paralyzed, kidnapped, and then labeled a domestic terrorist and sanctioned! This isn’t just a fight for survival; this is about the power of truth in the face of overwhelming opposition.

“Charlie fits into this description, with a spectacular ceremony for Sara’s healing, but also as a powerful catalyst when he is in the presence of Grandmother Earth and the consequences of his actions. Fox and Risingsun are a dream writing team in every way, and, culturally, this portrayal of Charlie’s heritage is painted from the sky to the smallest pebble and the fire burning in between. The pacing is elevated by point of view shifts and all the drama, but also a surprising relationship transformation as well. Ultimately, this finale succeeds with a perfect 10 landing.

“Very, very highly recommended.”

Every author believes in their work but receiving validation from an objective reviewer who doesn’t know you from Adam is worth its weight in gold. Self-promotion is not my superpower, making me appreciate the kudos even more.

If you haven’t yet read the trilogy, all three volumes are coming out April 18 as a box set ebook on Amazon. You can preorder your copy here.

Do You Hate Cliffhangers?

Are you a reader like my daughter who avoids serials* until all volumes have been released?

Like the Curse of Dead Horse Canyon trilogy?

Sorry about the wait, folks. Two factors slowed down the saga’s completion: Disruptions to both authors’ lives and research.

Especially research!

If you’ve been waiting, (even though book 3 came out awhile back), your patience is about to pay off.

All three novels will be released as a single mega boxset ebook on April 18!

Preorder now to reserve your copy at a bargain price of $9.99 with the ebook delivered electronically as soon as its released. All three books are complete and unabridged, 2266 pages worth plus an addendum not found anywhere else.

See? Good things come to those who wait.

Assuming you haven’t read book 3, “The Revenge of Dead Horse Canyon: Sweet Medicine Spirits – Novavose,” you’ll find it has a different pace than the others, especially once Charlie embarks on his ceremonial four-day fast.

Be prepared for a deep dive into Cheyenne history, culture, and ceremonies seldom represented in fiction! Those of you who relish immersion in anthropology through fictitious characters and situations imbued with historical truth will treasure these chapters.

Not so much if you’re looking for wham-bang suspense with no other substance.

I must warn you, however, if you’re tempted to skip the fasting sequence, be aware it’s the most consequential part, not only of the third book, but the entire saga. Consider that it drove the title as well as the picture of the Sacred Mountain on the original cover. The ending has far less meaning without that context, as one disgruntled reader expressed in a very nasty review.

Readers’ Favorite, however, gave it 5-stars and a glowing review that among other complimentary things states, “Stands out for its sharp writing and complete ability to immerse readers, especially in Charlie’s spiritual transformation. [His] heritage is painted from the sky to the smallest pebble and the fire burning in between. This finale succeeds with a perfect 10 landing. Very, very highly recommended.”

The cover for the ebook trilogy is a bit different than the others. Not only does it feature “AI Charlie,” whom you may have already met in the trailer video, but blatantly captures the saga’s overall theme. The trilogy’s description has a different spin when viewed from the ten-thousand foot level. Same novels, but the collective vibe is slightly different. Furthermore, upon request, a glossary of Native American words and phrases has been added along with a closer look at the Earth Giving Ceremony too detailed to include in the story.

 Its online description states:

The Curse of Dead Horse Trilogy ebook includes all three books of this multi-award winning saga! If you hate cliffhangers and waited until it was complete, this is what you’ve been waiting for. Furthermore, the addendum includes a glossary as well as additional information on Cheyenne practices with a comprehensive look at their Earth Giving Ceremony.

Order your copy now and prepare to be consumed by a story that brings a vast government conspiracy face-to-face with Cheyenne history, prophesy, and ceremony. After centuries of lies, oppression and broken treaties will justice be served at last?

You can preorder your copy here.

I hope you enjoy the completion of this saga. I must admit that I knew exactly how it was going to end from the first book, but didn’t know how it would transpire until Charlie’s fast. The research was worth its weight in gold showing how the ending was not so much of a stretch after all. Prophesy tends to be fulfilled, sooner or later.


*Per Google AI, “While both “serial” and “series” refer to a sequence of things, “series” generally describes a collection of related items or events, while “serial” specifically implies a story or narrative told in installments, often with an ongoing plot.”

THE WORLD OF THE MAIYUN

My method of writing is generally referred to as a “pantser,” i.e., I write by the seat of my pants. The other prevalent writing style that of a “plotter,” where the author determines the entire story, scene by scene, in an outline. I tried plotting, but my characters persistently got out of hand. They’d refuse to follow my plan and do their own thing. It didn’t take long to discover they had a better grip on the story than I did. Thus, I became a “pantser.” I populate my story idea with characters, then sit back to watch what they do as would a dutiful scribe.

I began work on this saga before connecting with my co-author, Pete Risingsun. I had a handle on the story’s government conspiracy angle, but lacked cultural knowledge of my main character, Cheyenne Charlie Littlewolf. I wrote what he told me to, but didn’t know whether it was feasible.

As a science fiction author, I wondered.

Was my imagination getting carried away?

I tend to obsess over accuracy and can get carried away with research. I started reading books on Native American cultures, but I needed to find a Cheyenne elder who could let me know if what I had written from Charlie’s point of view was accurate or too off-the-wall.

When Pete got involved he assured me that the various incidents I’d included were indeed realistic in the Cheyenne world. I smiled, relieved to learn Charlie was not leading me astray.

One incident that I wondered about is depicted in chapter six, “The Aspen,” of the first book, “The Curse of Dead Horse Canyon: Cheyenne Spirits.” It’s there that Charlie receives a message from the aspen tree that witnessed the wreck that killed his best friend. Besides numerous others, another one of my favorites is in the second book, “Return to Dead Horse Canyon: Grandfather Spirits,” where in chapter thirty-nine, “Trail Ride,” Charlie finds an ancient arrowhead that tells him and his brother, Winter Hawk, (cousin in western culture), that their prayer regarding the fate of the murderer had been heard.

As work on the saga continued, more and more research came into play. The works of George Bird Grinnell as well as Peter John Powell were excellent sources, but had limitations. I find it ironic that some of the most detailed information on ancient Cheyenne (Tsistsistas) beliefs and ceremonies is conveyed by German anthropologist, Karl H. Schlesier. His book “The Wolves of Heaven” was priceless while writing this trilogy, especially his detailed description of the Massaum, the Earth Giving Ceremony, that plays a key role in the final volume. In a typical episode of serendipity, I found Schlesier’s book on Amazon, attracted by its subtitle, “Cheyenne Shamanism, Ceremonies, and Prehistoric Origins.”

Or was it a maiyun who brought it to my attention?

What is a maiyun?

Schlesier tells us they are powerful spirits that associate with human beings. There are also the hematasoomaeo, which he describes as “the immortal spiritual forms of plants, animals, and human beings. . . .The maiyun most responsible for physical life on earth belong either to the deep earth or to the sky places. In Tsistsistas ceremonies they are celebrated especially and represented through plant and animal forms.”

The lodge of the maiyun is the Sacred Mountain, i.e., Novavose. (You’ll meet plenty of them in “Revenge of Dead Horse Canyon: Sweet Medicine Spirits – Novavose.”)

Why have western religions denied the existence of such things? Claim that animals do not have souls, a belief with which any pet owner, farmer, or rancher will disagree? Slowly the world is awakening to the reality of other dimensions; recognizing the thin veil between life and death and the elusive nature of time.

Things ancient peoples took for granted.

Speaking of animals, a few months ago, my precious 18 year old feline fur baby, Ophelia, crossed over. I hoped that when she did, that she was reunited with her half-brother, Hamlet, who’d left this life four years before. Thus, I was drawn to the “Pets and the Afterlife” book series by Rob Gutro. He’s a medium who specializes in connecting with pets in the spirit world. These books contain dozens of stories of such experiences. The truth of what he envisions is validated by multitudes of grieving pet owners when he provides details of the encounter that he couldn’t possibly have known.

As I read Gutro’s books I couldn’t help but think of the maiyun–spirit helpers that indigenous people have relied on for millennia. What are “civilized” people missing by tuning out these messages and connections?

I am beyond grateful for my introduction to this marvelous world while writing these three tomes with Pete. My heart and mind lived there from July 2018 when this story was conceived until the final book was published in January 2025. My life is enriched beyond measure for the experience.

Two of my favorite quotes related to this lost wisdom were spoken by Tȟašúŋke Witkó (Crazy Horse), the Oglala Lakota Leader who said:

The red nation shall rise again and it shall be a blessing for a sick world; a world filled with broken promises, selfishness and separations; a world longing for light again. I see a time of seven generations when all the colors of mankind will gather under the sacred tree of life and the whole earth will become one circle again. . . In that day, there will be those among the Lakota who will carry knowledge and understanding of unity among all living things and the young white ones will come to those of my people and ask for this wisdom.

The Curse of Dead Horse Canyon Trilogy is a lengthy saga that is more than a juxtaposition of a corrupt government’s clash with Cheyenne spirituality. It’s an introduction to a world too many don’t yet see.

But as Crazy Horse declared, they will.

You can find the trilogy on Amazon and other online vendors.